![Photo illustration of Lee Eisenberg](/media/magazine/2024/winter-2024/lee-box.jpg)
Lee Eisenberg Does It Again
The Hollywood writer-producer had his best year yet, with two wildly different hit shows. He has no intention of taking a break.
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The Hollywood writer-producer had his best year yet, with two wildly different hit shows. He has no intention of taking a break.
A student-curated exhibition puts the focus on the working poor at the turn of the 20th century.
Income inequality in the United States is at its greatest since the Gilded Age. Professor Mark Stelzner explains why.
Filmmaker Katharine Parsons ’74 tells the story of the animal rescuers who braved the California wildfire burn zones to reunite beloved pets with their families.
CC Magazine’s Tim Stevens ’03 explains how he took a totally linear path to arrive fashionably late to the 29th Critics’ Choice Awards.
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The story behind our covers for this issue.
A student-curated exhibition puts the focus on the working poor at the turn of the 20th century.
In this issue:
The Hollywood writer-producer had his best year yet, with two wildly different hit shows. He has no intention of taking a break.
A student-curated exhibition puts the focus on the working poor at the turn of the 20th century.
Income inequality in the United States is at its greatest since the Gilded Age. Professor Mark Stelzner explains why.
Filmmaker Katharine Parsons ’74 tells the story of the animal rescuers who braved the California wildfire burn zones to reunite beloved pets with their families.
CC Magazine’s Tim Stevens ’03 explains how he took a totally linear path to arrive fashionably late to the 29th Critics’ Choice Awards.
The story behind our covers for this issue.